Against the Anaconda Copper Company
Harvey Richards filmed the Butte Montana 1959 Miners Strike in support of the miners on strike against Anaconda Copper Company. He produced a film called Perch of the Devil to publicize the strike and the conditions the miners faced at that time. He also took photographs during his filming which are presented in the image gallery on this post. The color images in the gallery are screen captures taken from Perch of the Devil.
Butte Montana 1959 Miners Strike
Harvey Richards traveled to Butte Montana in the 1959 when union organizers he knew there agreed that making a film for the miner’s cause could help in the strike effort against Anaconda Copper. Harvey Richards had recently refused to testify before the House Un American Activities Committee (HUAC) in 1957 and was under surveillance by the the FBI wherever he went. Nevertheless, he believed the film could be made and be useful in spite of government and company hostility towards dissent and union organization. He was followed around Butte, sometime by three police and FBI vehicles simultaneously. “It was a regular caravan,” he once said. Neither Harvey nor the union organizers and workers were intimidated by police tactics and the film was successfully completed in 1960 and used to support the last major strike in the copper mines.
Although the miners got some concessions from the company, the strike was doomed because underground mining itself was doomed. Open pit mining replaced tunnel mining rapidly after 1960, and with it, the underground miner’s union faded into history. The film and these photos offer viewers today a glimpse into the lives of hard rock miners who played an important role in the industrialization of the continent and our way of life.
About the Harvey Richards Media Archive: The Harvey Richards Media Archive contains a treasure of images of the political and social justice upheavals of the 1960s on the west coast and of the devastating impact of capitalist resource exploitation in western forests, and mines among other subjects. All of his 22 films are available for streaming, downloading and as DVDs. The interest and demand for his images has continued to grow along with the interest in the legacy of the 1960’s political and cultural upsurge. Estuary Press is the home of the Harvey Richards Media Archive video and photo image collections.
About Estuary Press: Estuary Press is the publisher of Critical Focus, the Black and White Photos of Harvey Wilson Richards (1987), and of Nicaragua Way by Nina Serrano and Heart Suite, a trilogy of three books of poetry by Nina Serrano. It is also the home of the Harvey Richards Media Archive, a repository of photography and video documentaries of the social change and political movements during the 1960s and 1970s. Contact Paul Richards (510) 967 5577, firstname.lastname@example.org or visit estuarypress.com for more details.