The timeline presents the photographic adventures of Harvey Richards which begins in 1957 when the House Un-American Activities Committee sent Harvey a subpoena. Not wanting to be dragged through the mud by this witch hunting bunch, Harvey grabbed his newly acquired Leica 35 mm camera and took a “vacation”. His travels took him through the deep south US, Mexico, Columbia, and Venezuela. He commented later that in this trip, he basically served an apprenticeship as a photographer. When he returned home, he launched photographic effort to aid struggling social movements of the time. His first subject was California Farm Workers. He made a trip to Butte, Montana in 1960 where he made a film for the striking United Mine Workers Local No. 1. He and his wife Alice, and son Paul, traveled to the Soviet Union in 1961 to make two films about women and children in a socialist society. In 1963 and 1964 he went to Mississippi to make films to help the voter registration and civil rights movements that destroyed segregation in the U.S. Harvey photographed early peace demonstrations in the San Francisco Bay Area and when the 1960’s anti-Vietnam war movement exploded onto the scene, Harvey was there photographing the movement for peace. Interspersed throughout these years, Harvey traveled into northern California and Oregon photographing the devastating clear cutting taking place in the forests of the west coast. He made 22 documentary films between 1959 and 1978 which he offered free to the movements he supported for use in their organizing. He also shot thousands of still photos in all of these subject areas along the way.